Home & Property Archives - Boston Magazine https://www.bostonmagazine.com/property/ Tue, 09 Jun 2026 15:00:43 +0000 en-US hourly 1 https://wordpress.org/?v=7.0 https://bomag.o0bc.com/wp-content/uploads/sites/2/2017/10/cropped-boston-magazine-favicon-32x32.png Home & Property Archives - Boston Magazine https://www.bostonmagazine.com/property/ 32 32 So, You Want to Live in Plymouth? https://www.bostonmagazine.com/property/2026/06/09/plymouth-neighborhood-guide/ Tue, 09 Jun 2026 14:30:53 +0000 1. Pick Your Price Point Real estate prices aren’t through the stratosphere here, at least not yet: Smaller single-family homes and condos hover between $600,000 […]

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]]> A small town street lined with white and light-colored wooden houses featuring black shutters and American flags hanging from the buildings. A tall streetlamp is lit, and a clock tower with a golden dome is visible in the background. The street curves slightly and leads to a red brick building further down. The sky is clear and blue.

Photo by Dennis Tangney Jr./Getty Images

1. Pick Your Price Point

Real estate prices aren’t through the stratosphere here, at least not yet: Smaller single-family homes and condos hover between $600,000 and $700,000; for buyers looking for something more upscale, the Pinehills development features a mix of new, move-in-ready, and custom homes, with townhomes starting under $800,000 and single-families priced between $1 million and $2 million.

2. Plot Your Commute

Commuters have a pretty straight shot into Boston: The ride to South Station takes about an hour on the Kingston Line (about a 10-minute drive northwest of Plymouth). If you’d prefer to drive, Plymouth to Boston via Route 3 typically takes around 45 minutes, but during peak rush hour, the trip can stretch to 90 minutes.

A wooden sign with white lettering that reads "MYLES STANDISH STATE FOREST," set among tall trees with green foliage and a ground covered in pine needles and some stone edging.

Photo via Creative Commons/OldPine

Crispy fried chicken pieces served on a waffle, topped with pickled red onions and sauce, on a white rectangular plate. A glass of orange juice with ice is placed in the background.

Photo courtesy of Second Wind Brewing

3.  Take in the Vibe

Plymouth is often noted for its classic New England charm, particularly its downtown waterfront district. Second Wind Brewing opened its long-awaited Main Street Taproom and Kitchen last year; other popular spots include Vitamin Sea Brewing and Turmeric House, known for its Indian and Nepali dishes. For outdoor recreation, head to Myles Standish State Forest and Plymouth Beach.

A classical-style stone pavilion with tall columns is situated near a waterfront. The calm water is dotted with numerous small boats, and the sky shows soft pastel colors of early evening or dawn. Street lamps and trees are visible along the paved walkway beside the pavilion.

Photo by CapeCodPhoto/Getty Images

4. Check out the Culture

The town’s historical hub is centered around Plymouth Rock, thought to be the landing place of the Pilgrims aboard the Mayflower. If that’s not enough, the Plimoth Patuxet Museum’s exhibits include a full-scale reproduction of the ship. The Plymouth Center for the Arts, meanwhile, features galleries, classes, and workshops, and the Spire Center for Performing Arts hosts concerts, theater, and more.

5. Scope out the Schools

The public school system is made up of eight elementary schools, two middle schools, and two high schools, plus early-childcare options. There are a handful of public charter schools, including Rising Tide and Map Academy, but most private school options in the area are at least a 30-minute drive from town.

First published in the print edition of the June 2026 issue, with the headline,“So, You Want to Live in Plymouth?”

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]]> A Lovely New Cottage Brings Light to an Old Truro Foundation https://www.bostonmagazine.com/property/2026/06/05/nick-waldman-truro-cottage/ Fri, 05 Jun 2026 10:00:10 +0000 This article is from the summer 2026 issue of Boston Home. Surrounded by a tidal marsh, this property on one of the prettiest roads in Truro was […]

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]]> Modern two-story house with large windows and a wooden deck, illuminated warmly from inside during dusk. The house features a screened porch on the right side and is surrounded by lush greenery and garden plants. Steps with built-in lighting lead up to the deck.

White-cedar and Alaskan yellow-cedar shingles marry native plants to maximize the lush natural environment of this Truro cottage, while oversized windows welcome sweeping tidal-marsh views. / Photo by Matt Kisiday

This article is from the summer 2026 issue of Boston Home.

Surrounded by a tidal marsh, this property on one of the prettiest roads in Truro was the ideal respite far away from the homeowners’ urban residence. Simple yet stylish, small but spacious, the new two-bedroom cottage accommodated them and occasionally their grown children so they could relive fond memories of Cape summers while creating new ones.

But the path to get here was studded with roadblocks. What began as a selective renovation of a 100-year-old home in a sensitive environmental and historic district morphed into a teardown when the design and build team learned there was structural damage and little history to salvage, says architectural designer Nick Waldman. With a clean palette, they built on the existing foundation, adding 3 feet along the north side and a breezy rear porch that rakes in the view.

Modern kitchen with light wood cabinetry and a central island featuring a cooktop and hanging towels. Open wooden shelves hold various bowls and cups. A large window above the sink offers a view of green foliage. The floor is light wood, and a patterned rug is partially visible. A wooden countertop extends from the right side, and a vase with purple flowers sits on it.

In the kitchen, which features open shelves instead of upper cabinets, wood tones and natural hues are paired with the homeowner’s vintage and thrifted pieces. / Photo by Matt Kisiday

“We wanted a house that fit in with the character of the road, that didn’t disrupt the natural, native landscape of Truro, that blended in and felt like it belonged here, like it has always been here,” the homeowner says. “The view is extraordinary. You walk into the house and you’re confronted with it, and it makes you feel like you’re in a wide-open, beautiful place.”

The multifunctional kitchen, living, and dining space takes full advantage of this fresh approach, with large windows on all sides and no walls to impede the view or the light that comes with it. Waldman maximized square footage here to expand this area for functionality and created a modern wall of skylights overhead to illuminate the cooking and eating zones. Floating shelves in white oak, in lieu of upper cabinets, maintain that buoyancy and show off the homeowners’ collection of midcentury vintage cookware and thrifted finds.

Bedroom with a wooden bed frame featuring beige and yellow bedding, a mustard yellow pillow, and a cream quilt. The room has large windows with wooden frames, a wooden chair, a wooden chest with a sheepskin cover, and a painting of a reclining figure in orange and beige tones on the wall. The floor is light wood with a patterned rug in shades of brown and beige.

The primary suite takes advantage of water views with large Loewen windows and cathedral ceilings, while a warm palette sets a restful mood. / Photo by Matt Kisiday

“It’s loaded up with skylights, so that volume goes straight through here, which you can see in the elevations along this side,” Waldman points out. “The kitchen becomes part of the living room, with the same ceiling height, to reinforce that it’s all one space. The millwork itself does the job of creating the different ‘rooms.’”

Cathedral ceilings and picture windows on the second floor are a subtle bridge between bedroom privacy and light, making the entire abode positively radiant from the inside out. But from the outside in, it appears as if this modest rectangular cottage with its white-cedar shingles, traditional gabled roofline, and porches perfect for an afternoon sunset has been here all along.

Wooden screened porch with four wooden chairs, each with patterned cushions, and a small wooden table holding drinks and books. A pair of black clogs is on the wooden floor, and a woven basket with dried plants is in the corner. The porch overlooks a lush green landscape with trees and a body of water in the distance.

Teak seating and mahogany flooring on the all-wood screened porch speak to Truro’s coastal New England vibe. / Photo by Matt Kisiday

It was styled that way, too, the homeowner says. “It’s a mixture of old and new here, sort of a juxtaposition of an old vintage oriental rug or modern light fixture,” the homeowner says of their design style. “The lines of the house are spare and clean, and walls are painted white so we could add color with the items we found.”

Naturally, this captivating cottage has curated its next 100 years in the spirit of Truro’s historic charm, with scale, light, and an aesthetic that are true to this part of the Cape.

“The big thing that I like about this house is that everything is left to weather naturally,” Waldman says. “So not only is it a ubiquitous, appropriate material for the Cape, but it’ll last a long time and look beautiful when everything silvers out.”

Entryway with a wooden bench draped with a black and white striped cloth and a white hat. A colorful striped rug in shades of red, orange, and yellow covers the floor. A built-in wooden storage unit with cubbies and a cabinet holds baskets, boots, and hanging bags. Wall hooks on the right side hold woven bags and a mustard yellow scarf. The door on the left is open, showing a glimpse of greenery outside. The walls are light-colored with horizontal paneling.

Custom cabinetry in Baltic birch and shiplap walls painted in Benjamin Moore’s “Cloud White” offer structure and style in the mudroom. / Photo by Matt Kisiday

Architectural Design Nick Waldman Studio
Contractor A.F. Hultin & Co.
Custom Millwork Shaw Woodworking

First published in the print edition of Boston Home’s Summer 2026 issue, with the headline “Built to Belong.”

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]]> A Woods Hole Pool House Where the Garden Is a Main Character https://www.bostonmagazine.com/property/2026/06/04/john-gassett-woods-hole-pool-house/ Thu, 04 Jun 2026 11:00:03 +0000 This article is from the summer 2026 issue of Boston Home. Sign up here to receive a subscription. It isn’t often that an outdoor retreat feels both transportive […]

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]]> A backyard scene featuring a rectangular swimming pool surrounded by a concrete border. On the left side of the pool, there is a seating area with light blue outdoor furniture including chairs and a sofa. On the right side, there are four light blue lounge chairs under two large white umbrellas. The pool area is bordered by well-maintained green grass and colorful flower beds in the foreground. In the background, there is a small house with a wooden pergola over a patio, surrounded by trees and brick walls. The sky is clear and blue.

As avid gardeners, the greenhouse was a must for garden salad produce plants like tomatoes and cucumbers. / Photo by Jane Beiles

This article is from the summer 2026 issue of Boston Home. Sign up here to receive a subscription.

It isn’t often that an outdoor retreat feels both transportive and intentional—a place where architecture recedes just enough to let landscape and lifestyle take center stage. In a recent collaboration between interior designer Douglas Graneto, architect John Gassett of Shope Reno Wharton, and KVC Builders’ Jason Forino, that balance was the guiding principle from the start. “Our hope was to design buildings that had a supportive role to the landscape and the outdoor living we knew the clients would be doing in the summer months,” Gassett explains.

The result is a pool house—affectionately dubbed the “Clubhouse” by the homeowners’ two sons—that complements the main residence while establishing its own identity. Trimmed in dark green and tucked into abundant plantings, the structure sits quietly within a layered composition of dining terraces, colorful seating areas, an outdoor shower, and Argentine grills, all surrounded by cutting and vegetable gardens. The effect is less backyard amenity, more family retreat.

Covered outdoor patio with wicker furniture featuring white cushions and blue pillows, a wooden side table with a glass of water, and a glass-top coffee table holding a silver pitcher and glasses, surrounded by lush green plants and trees. The ceiling is wooden with white beams, and the floor is stone.

The property features a handful of outdoor living spaces for al fresco dinners, cocktail hours, family hangouts, and more. / Photo by Jane Beiles

“The main goal was to create something casual and welcoming that everyone could enjoy,” Graneto says. “They wanted to embrace color and create lush gardens filled with flowers and vegetables throughout the summer.”

That vision extends to the sleek greenhouse attached to the pool house—a working space as much as an aesthetic one. An avid gardening family, the homeowners use it to propagate seedlings in spring and shelter plants at season’s end. In peak summer, vegetable plants spill across the terrace, reinforcing the seamless connection between cultivation and gathering.

A modern living space featuring a white sectional sofa adorned with green, floral, and striped throw pillows, and a light gray blanket draped over one side. Behind the sofa are two built-in blue cabinets with gold handles, one containing glassware and bottles with a small sink, and the other holding bowls, cans, and bottles. A doorway between the cabinets leads to a bathroom with a wooden vanity and a large mirror reflecting a colorful painting. Above the living area hangs a striking chandelier with gold rods and turquoise spherical accents.

KVC Builders crafted two built-in shelves inside the pool house, painted a bright, dreamy blue, with refrigeration and storage for picnic items. / Photo by Jane Beiles

Inside the cabana, the design remains deliberately simple. In the main living area, built-ins painted in Farrow & Ball’s “Stone Blue” house refrigeration and storage for picnic plates and glassware, while a generous “On the Rocks” sectional from DDC anchors the seating area. Two walls of lift-and-slide glass doors dissolve the boundary between interior and exterior, flooding the space with natural light and maintaining constant sightlines to the pool and gardens beyond. “The layout is very open to the landscape,” Forino says. “You’re constantly connected to the yard and pool, and the space fills with natural light throughout the day.”

Overhead, a vintage sputnik chandelier with turquoise bulbs and brass rods from 1stDibs adds a note of playfulness, its palette echoing glimpses of the ocean visible in the distance. The color story continues outdoors, where Graneto layered Paola Lenti furnishings in tonal greens and blues, subtly referencing both the coastal setting and the family’s vibrant art collection inside the main house.

Long outdoor dining table set on grass with eight green chairs, decorated with glassware, bowls, and a large vase with tall green plants, surrounded by pink flowering bushes and trees, with a house in the background.

An informal dining space among the flowers is perfect for intimate meals during the warmer months. / Photo by Jane Beiles

Rather than compete with the gardens, the architecture frames them. Rather than dominate summer living, it supports it. The result is an environment designed not just for swimming or dining, but for lingering—from early planting season through the last warm evenings of fall.

“They [the homeowners] are incredibly thrilled. They’re not only thrilled with the preparation but also with the architecture of the space and the way everything was built,” says Graneto, noting that the process was an unusually collaborative one, with every decision guided by how the family truly lives—a shared focus that’s evident in the finished result.

Architect Shope Reno Wharton
Builder KVC Builders
Interior Designer Douglas Graneto Design

First published in the print edition of Boston Home’s Summer 2026 issue, with the headline “Garden Variety.”

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]]> A Party with a Legit Guacamole Bar https://www.bostonmagazine.com/news/2026/05/29/spring-2026-parties/ Fri, 29 May 2026 11:30:55 +0000 Renaming yourself after 88 years is a bold maneuver, but the Celebrity Series of Boston, which has mounted some of the city’s most remarkable live […]

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]]> Three people smiling and posing together in a warmly lit indoor setting. The person on the left is wearing a red one-shoulder dress and holding a copper mug with a straw. The person in the middle is wearing a colorful patterned shirt with a red beanie. The person on the right is wearing a black outfit with a bright pink scarf. The background shows blurred lights and other people.

Amy d’Ablemont Burnes, Ryan Edwards, and Beth Pinals. / Photo by Kristin Otharsson

Renaming yourself after 88 years is a bold maneuver, but the Celebrity Series of Boston, which has mounted some of the city’s most remarkable live performances over the past near-century, did just that, hosting a party at the trendy South End Mexican joint Cósmica to unveil its new identity.

Vivo Performing Arts, the organization’s zippy new name, was officially revealed (after a minor audio-visual glitch) to a crowd that included such arts boosters as Amy d’Ablemont Burnes; anti-poverty crusader Terri Groome and bespectacled hipster Paul Belanger; the perpetually impish Peter Wender; marketing guru Andrea Hoff; the Boch Center’s new communications head honcho Jesse Needleman; unfairly attractive artist Ryan Edwards; restaurateur Jack Bardy; board chair Joshua Boger; and so on and so forth.

It was a veritable Who’s Who of Boston’s performing arts scene, all of whom raised a glass when president and executive director Gary Dunning said, “Here’s to Vivo. Or translated to another language: l’chaim!”

Overheard by the bar:

“This is the best margarita I’ve had since the last time I was in Mexico. But I just got back yesterday.”

Judging by the speed with which the passed apps disappeared, they were tasty, and one guest said, “You gotta love a party with a legit guacamole bar.” However, not all appetites were focused on food.

Gesturing with his chin toward a powerfully attractive male couple, one attendee said, “Now that’s a sandwich I could get into.”

The moral of the story: If you get enough good-looking people in a room with Mexican food, you don’t even need a mariachi band.

Two women smiling and posing together indoors. The woman on the left has dark curly hair, is wearing a dark brown top and an orange patterned scarf. The woman on the right has long curly hair, is wearing a green top, and has a name tag on her chest. The background is softly lit with colorful lights.

Alana Borges Gordon and Jenny Oliver. / Photo by Kristin Otharsson

Two men are standing side by side indoors with colorful string lights in the background. The man on the left has medium-length dark hair, a trimmed beard, and is wearing a dark blue blazer over a light blue shirt. The man on the right has short, wavy hair, glasses, and is wearing a gray blazer over a white shirt with a name tag that reads "vivo John Stalman." Both are smiling.

Jesse Needleman and John Stanton. / Photo by Kristin Otharsson

Two men smiling and posing together in front of a pink and black backdrop. The man on the left is wearing a dark navy quarter-zip sweater with a name tag that reads "Ido Sagy." The man on the right is wearing a light blue blazer over a patterned shirt with a name tag that reads "Amir Tadmor.

Ido Sagi and Amir Tadmor. / Photo by Kristin Otharsson

A person wearing glasses and a white hat is holding up a purple tote bag with a blue square and the words "vivo PERFORMING ARTS" printed on it. The person is winking and standing in a crowded indoor setting with warm lighting.

Molly Stifler. / Photo by Kristin Otharsson

A man and a woman are engaged in conversation at an indoor event. The man, wearing a checkered blazer and black turtleneck, holds a skewer with food and has a name tag on his jacket. The woman, dressed in a dark outfit, holds a glass of white wine and a plate with food. The background features coats hanging on a rack and colorful string lights.

Peter Wender and Priscilla Douglas. / Photo by Kristin Otharsson

Young man with short dark hair and glasses, smiling, wearing a light blue patterned button-up shirt, standing in front of a pink and black background.

Harrison Lee. / Photo by Kristin Otharsson

Four people stand together smiling. From left to right: a man with glasses, gray hair, and a beard wearing a dark zip-up jacket and black pants; a man in a denim jacket and light jeans holding a microphone and an award; a woman with long blonde hair wearing a black long-sleeve dress; and a man with glasses, a beard, and tattoos on his right arm wearing a beige sweater with rolled-up sleeves and dark jeans. They are standing indoors against a plain background with part of a screen visible above.

James Nadeau, Harry Lighton, Beth Gilligan, and Mark Anastasio. / Photo by Iz Indelicato for the Coolidge Corner Theatre

Dress Code: Chaps and a Dog Collar

The beautifully reimagined Coolidge Corner Theatre presented its annual Coolidge Breakthrough Artist Award to filmmaker Harry Lighton, following a screening of his first full-length feature, Pillion, starring Alexander Skarsgård and Harry Melling. The sold-out crowd was treated to a Q & A moderated by James Nadeau, CEO of the Queer Film Institute, and it’s probably safe to say that it was the first time many of them had seen a gay BDSM biker movie.

Two men wearing black leather caps and jackets stand side by side. The man on the left has a red mustache and wears a sash that reads "NEW ENGLAND." The man on the right has a full beard, curled mustache, and a sash with the letters "E" and "J" visible. Both are smiling.

Eric the Red and Jeff Silver. / Photo by Iz Indelicato for the Coolidge Corner Theatre

A large audience seated in a theater with red cushioned chairs, attentively watching an event. Some people are wearing masks, and a few seats have "Reserved" signs. The crowd is diverse, with individuals of various ages and styles.

The sold-out crowd. / Photo by Iz Indelicato for the Coolidge Corner Theatre

Two men with gray hair and beards are smiling. The man on the left has short, curly hair and is wearing a brown houndstooth jacket over a patterned sweater. The man on the right has a neatly groomed mustache and beard and is dressed in a dark jacket over a black shirt. The background is dimly lit with blurred figures and lights.

Charles Haugland and Gregory Triana. / Photo by Iz Indelicato for the Coolidge Corner Theatre

Two middle-aged men wearing glasses are smiling. The man on the left is wearing a gray turtleneck sweater, and the man on the right is wearing a navy blue jacket over a light blue collared shirt, holding a can and a sandwich. A blurred person is visible in the background.

Pat Scanlon and Mike Mosbrooker. / Photo by Iz Indelicato for the Coolidge Corner Theatre

A woman passionately singing into a microphone, wearing a shiny silver fringed poncho over a dark long-sleeve top. She has curly hair and is adorned with a spiked silver headpiece and hoop earrings. Her eyes are closed, and her mouth is open wide as she performs. The background is dark with a large screen behind her.

Salyse. / Bash Pics

Elevated and Celebrated

The runway was alive with creativity when the Multicultural Arts Center in Cambridge hosted Cosmic Roots: An Afrofuturism Hair & Fashion Show, featuring the work of such designers as the House of Nahdra, Sol Full Seams, Dhakye, and House of Blvck Ice. The evening also included original choreography by Tarikh Campbell and music by Salyse. The nonprofit promised “a stunning convergence of design, movement, and narrative,” and judging by the applause, they delivered.

Person with long dreadlocks wearing a tan fur hat, orange-tinted glasses, a light blue button-up shirt, a black tactical vest, and a brown and orange patterned scarf, gesturing with both hands against a gray background with a faint geometric design.

Ice Brown of House of Blvck Ice. / Bash Pics

A man wearing a light gray, sleeveless tunic with wide shoulders, a long beaded necklace, and a metallic cuff bracelet on his right wrist. He has a decorative eyepiece with a sun design over his left eye and a blue paint mark on his right cheek. His hair is short and curly.

Shane Faiteau. / Bash Pics

A person with curly black hair wearing large, geometric gold sunglasses and metallic gold gloves. They have bold blue and black makeup on their lips and chin. Their outfit is a black and white dress with a gold, sculptural collar piece. They hold a large, textured gold clutch bag. The background shows a dimly lit stage with other people in costumes.

Syriah Silverwoodson. / Bash Pics

A person wearing a shimmering green dress with a deep V-neckline and long sleeves, accessorized with large gold earrings, a gold necklace, and futuristic, multicolored sunglasses. Their hair is styled in small, twisted buns adorned with gold beads, and they hold a round, woven gold clutch. The background features a blurred projection screen.

Florence Laforest. / Bash Pics

This article was first published in the print edition of the May 2026 issue, with the headline,“A Newborn Octogenarian.”

Previous “Social Studies” columns:

Party Pics

A Party with a Legit Guacamole Bar

Our intrepid society columnist reports from Boston’s swankiest affairs, including the new Vivo Performing Arts party.

Party Pics

“I Loved Him on 'Frasier,' Even If He Is a Yalie.”

Our intrepid society columnist reports from Boston’s swankiest affairs, including galas for the Boston Lyric Opera and Fenway Health.

Party Pics

“I Laughed So Hard, I Thought My Pants Would Never Dry”

Our intrepid society columnist reports from Boston’s swankiest affairs, including the Peabody Essex Museum’s annual gala.

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Where the Crowd Skews Young—Or Maybe You're Getting Old

Our intrepid society columnist reports from Boston’s swankiest affairs, including our Taste event and Find the Cause Breast Cancer Foundation’s 2025 Prevention Party.

Party Pics

The Kowloon 75th Anniversary Party Was Mai-Tai-Riffic

Our intrepid society columnist reports from Boston’s liveliest affairs, including the Saugus restaurant’s 75th-anniversary block party and the Moondance Gala.

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“Can We All Just Agree That Kale Belongs in a Wood-Chipper?”

Our intrepid society columnist reports from Boston’s swankiest affairs, including the Opening Night of Commonwealth Shakespeare Company’s As You Like It.

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Turning the Newbury Boston Hotel into Babylon (in the Best Way)

Our intrepid society columnist reports from Boston’s swankiest affairs, including the Green & White gala and the Hot Stove Cool Music fundraiser.

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"The First Time I’ve Worn Pantyhose in Five Years!”

Our intrepid society columnist reports from Boston’s swankiest affairs, including the Boston Lyric Opera Gala and the Excessive Fashion for Amputees runway show.

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A Spaghetti Dinner for People Who Don't Eat Cold Pasta

Our intrepid society columnist reports from Boston’s swankiest affairs, including the Spaghetti Dinner for the Women’s Lunch Place and the PEM Gala.

Party Pics

How Many James Taylors Does It Take to Screw in a Lightbulb?

Our intrepid society columnist reports from Boston’s swankiest affairs, including the Boston Arts Academy Foundation Honors Gala and the Silk Road Gala.


See all posts >>

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]]> The MFA Boston Reimagines a First-Floor Wing for America’s Big Birthday https://www.bostonmagazine.com/arts-entertainment/2026/05/28/america-at-250-mfa/ Thu, 28 May 2026 11:30:46 +0000 ​​​​This article is from the spring 2026 issue of Boston Home. Sign up here to receive a subscription. In June, the Museum of Fine Arts, […]

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]]> A tall wooden cabinet with intricate geometric inlay patterns in shades of black, white, orange, and brown. The cabinet has a curved top section with two doors, a slanted middle section with a starburst design, and two drawers at the bottom featuring symmetrical star and diamond motifs. The piece stands on four rounded black feet.

Part of the furniture collection in the revived wing, this striking mid-18th-century desk and bookcase is made of inlaid woods and incised and painted bone, with mace, gold, polychrome paint, and metal hardware. / Photo courtesy of Museum of Fine Arts, Boston (Henry H. and Zoe Oliver Sherman Fund

​​​​This article is from the spring 2026 issue of Boston Home. Sign up here to receive a subscription.

In June, the Museum of Fine Arts, Boston, will debut a sweeping reinstallation of its 18th-century Art of the Americas galleries—timed to coincide with the nation’s 250th anniversary of independence on July 4. Titled America at 250, the reimagined presentation invites visitors to reconsider how artists, artisans, and objects helped shape the political, cultural, and social ideas of a revolutionary era that continues to resonate today.

Marking the first reinstallation of the first level of the Art of the Americas Wing since its opening in 2010, the project reflects both evolving scholarship and the significant growth of the MFA’s collection over the past 15 years. Long recognized as one of the most comprehensive holdings of American art in the world, the collection has expanded to encompass a broader range of works from across North, Central, and South America, including Indigenous and island nations—allowing for a more expansive and inclusive understanding of the Americas.

A historical painting depicting a military scene on a snowy battlefield. In the foreground, a man in a dark military uniform with gold epaulettes and a tricorn hat sits confidently on a white horse with brown patches. Surrounding him are several other soldiers, some on horseback and others standing, dressed in period military attire. One soldier on horseback is pointing forward with a sword. In the background, there are boats on a river or body of water, and a large group of soldiers gathered near the shore. The sky is overcast with dark, dramatic clouds, adding to the tense atmosphere of the scene.

Thomas Sully’s 1819 The Passage of the Delaware, a staple of the MFA Boston’s collection. / Public domain

Eight newly conceived galleries explore themes of resistance, liberty, labor, identity, home, family, and myth-making through works that range from monumental history paintings to exquisitely crafted furniture, silver, and needlework. Highlights include Thomas Sully’s dramatic The Passage of the Delaware (1819), a focused gallery devoted to John Singleton Copley, and installations that center communities of makers and the global histories behind everyday commodities such as tea, coffee, and chocolate.

The galleries will be unveiled during the MFA’s annual Juneteenth Open House as part of a two-day America at 250 celebration, offering free admission to Massachusetts residents alongside special programming. Together, the reinstallation reframes the 18th century not as a fixed past, but as a living foundation—one that continues to shape conversations about nationhood, power, and belonging today.

First published in the print edition of Boston Home’s Spring 2026 issue, with the headline “Crafting a Nation.” 

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]]> Hometown Girl Georgia Zikas Returns to Her Boston Roots https://www.bostonmagazine.com/property/2026/05/28/georgia-zikas-south-boston-studio/ Thu, 28 May 2026 11:00:10 +0000 This article is from the summer 2026 issue of Boston Home. Sign up here to receive a subscription. After years of cutting her teeth in […]

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]]> Cozy living room with a dark leather sofa adorned with various cushions, positioned against a brick wall with two large windows covered by light blinds. In front of the sofa is a beige ottoman with fringe, topped with a blue tray holding two green vases and a small yellow vase with flowers. A round woven rug lies beneath the ottoman. To the left, a small round table holds books and a candle, next to several green plants. On the right, a wooden cabinet with glass-fronted compartments displays framed pictures, with more plants on top. The walls are decorated with numerous framed photos and magazine covers. A plush dog-shaped stool stands on the rug near the ottoman.

The entry layers history and whimsy. It features framed press accolades lining the walls and a verde green Chesterfield sofa from Paris’s Paul Bert Serpette flea market anchoring the space. / Photo by Sean Litchfield

This article is from the summer 2026 issue of Boston Home. Sign up here to receive a subscription.

After years of cutting her teeth in New York and building a thriving firm in Connecticut, interior designer Georgia Zikas has come home. Her new 2,700-square-foot South Boston studio on the fourth floor of 60 K Street, housed in a former warehouse, marks much more than an expansion. It’s what she proudly describes as a “hometown girl comes home” moment.

Zikas first tested the Boston market with what she calls a “little postage stamp of an office” in the Seaport to gauge demand. It quickly proved there was plenty—and that the studio was too small. When a broker suggested a location in South Boston “0.2 miles down the street,” Zikas hesitated. All four of her grandparents had arrived in the area from Ireland, England, and Scotland in the 1920s, so she carried an older image of the neighborhood. But the industrial terminal buildings, originally designed to service the railroad, offered abundant light and room for reinvention.

A wooden cabinet with a white marble top is shown against a white wall. Above the cabinet hangs a round mirror with a wavy, textured white frame. On the cabinet's surface, there is a small framed landscape painting, a brass swing sculpture with a small figure, a candle with an orange pattern, a green marble tray holding papers, a dark decorative object resembling a pinecone, a black and white plate featuring a woman's face with a flower in her mouth, and a piece of orange crystal or mineral. A rectangular marble slab with a wooden frame leans against the wall behind the items.

An antique English washstand anchors the vignette, paired with a plaster-framed mirror with pie-crust detailing. A Fornasetti plate, collected objects, and a small painting by a Stonington, Connecticut, artist add personality and a local touch. / Photo by Sean Litchfield

Wooden sideboard with a large abstract painting in shades of blue, white, and beige above it. On the sideboard are two beige table lamps with textured bases, a blue and white ceramic jar, a small vase with purple flowers, a pink decorative object, and a minimalist gold candle holder with two white candles. To the right is a wooden cabinet with glass doors containing books and decorative items. The foreground shows the backs of two blue chairs.

A striking abstract painting from a vintage shop in Connecticut sets the tone above a hardworking sideboard, while arched glass-door cabinets display collected pieces. A pair of cream ceramic lamps cast a soft glow, and vases by Boston ceramicist Jill Rosenwald add a local accent. / Photo by Sean Litchfield

Though the space was in rough shape, that didn’t dissuade her. Instead, she imagined something more immersive than a conventional office. “When we’re in the business of creating beautiful homes, why not aspire to work in one?” she says. Visitors now enter through a foyer-like reception area that doubles as a sample library, layered with vintage pieces, each with its own story. A green leather Chesterfield sofa anchors the room, sourced from a Paris flea market while Zikas was testing overseas purchasing for clients.

Offices line one side of a central corridor, each fully equipped so team members can “just move in and put their family picture on the desk.” At the far end, the studio opens into three distinct vignettes: a dining-room-inspired collaboration space, a cozy family-room nook, and a living-room-style presentation area. Anchored by rugs and upholstered pieces from her private North Carolina–manufactured collection, the layout reflects how Zikas approaches client projects. “We started with the rug foundation,” she says, noting that the neutral palette allows pieces to rotate—especially since clients occasionally purchase items directly off the floor.

Kitchen area with wooden cabinets, a white marble backsplash, and a white countertop featuring a gold faucet. On the counter, there is a white vase with green foliage, a framed painting, a blue and white container, and a small brush. A built-in stainless steel microwave is integrated into the lower cabinets. The floor has a patterned rug with geometric designs in earthy tones. Three framed botanical prints hang on the adjacent white wall.

Designer Georgia Zikas envisioned a studio that feels more like a home, where clients are welcomed as guests. The kitchen—a natural gathering spot and testing ground—features high-end materials, some she hadn’t yet used in a residential project. / Photo by Sean Litchfield

The aesthetic is intentionally eclectic. A blue velvet sofa brought from Connecticut sits alongside lacquered side tables and traditional silhouettes. Here, meetings unfold on sectionals, fabric schemes spread across an antique dining table, and presentations appear on a Samsung Frame TV disguised as art. Even the kitchen—finished in high-end materials—serves as both gathering space and testing ground. “We wanted to experiment there, too,” she says, explaining that some finishes were new to her practice.

Community also factors into the studio’s purpose. As vice president of education for the IFDA New England chapter, Zikas envisioned the space as a venue for meetings and industry events; she recently hosted the organization’s 2026 strategic planning session there. “It’s almost like buying a house and hosting Christmas or Thanksgiving,” she says.

For Zikas, returning to Boston carries emotional weight. Shaped by her time in New York and the firm she built in Connecticut, bringing that experience back to the city feels like a natural evolution. “My smile couldn’t be bigger,” she says. “My soul is so full here.”

First published in the print edition of Boston Home’s Summer 2026 issue, with the headline “Where Practice Meets Place.”

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]]> Saving a Grand Old Lady on Hyannis Port https://www.bostonmagazine.com/property/2026/05/27/jill-neubauer-cape-cod-house/ Wed, 27 May 2026 11:00:22 +0000 This article is from the summer 2026 issue of Boston Home. Sign up here to receive a subscription. When architect Jill Neubauer first toured this 120-year-old, weather-beaten home […]

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]]> Wooden house exterior with weathered gray shingles, white-framed windows, and a white staircase leading up to a porch. The porch has a glass door and is flanked by lush hydrangea bushes with pale yellow flowers. A metal bell on a post stands to the left of the stairs, and the sky is clear and blue.

Photo by Charles Mayer

This article is from the summer 2026 issue of Boston Home. Sign up here to receive a subscription.

When architect Jill Neubauer first toured this 120-year-old, weather-beaten home on the shores of Hyannis Port, she noticed what turned out to be a sign that its rehabilitation was more complicated than the new owners realized. The wallpaper in the stairwell was puckered and pulled. “There were multiple cracks in the foundation and slab,” Neubauer says. “The east side of the house was pulling away from the west side, slipping down the hill toward the marsh.”

The owners, one of whom has a childhood history here, committed to saving it. The team lifted the house, moved it 5 feet to the east, and set it atop a new foundation, keeping the shell intact. Then, Neubauer and Clodagh Design reimagined the interior without losing sight of the past. “Everyone rallied around this great old lady desperate for love,” Neubauer says.

White-paneled room with light wood flooring featuring a long built-in desk under a window overlooking the ocean. Two blue upholstered chairs with wooden legs are positioned at the desk. A white vase with white flowers sits on the desk. On the left side, a blue abstract painting hangs on the wall above a blue upholstered sofa and a blue and beige striped rug. A wooden sculpture is displayed on a built-in shelf along the wall.

Photo by Charles Mayer

Honor Yankee Essence

It was important to Neubauer that they not zhuzh things up too much. Instead, she sought to capture the essence of what was, ushering the house into its next chapter gently and quietly. Inspired by the materiality, texture, and charm of the beadboard lining the west wing bedrooms, Neubauer and Nancie Min, who is the design director at Clodagh Design, specified painted wood paneling throughout the home. V-groove swathes the west wing guest suite, beadboard nestles between excavated ceiling beams in the living room, and stately board and batten greets visitors in the foyer, running up the stairs to the generous landing. “We brought the idea of the original wood forward, elevating it in scale and crispness,” Neubauer says.

Living room with a large brown sectional sofa adorned with beige and brown pillows, two wooden armchairs with beige cushions, and a rustic wooden coffee table with books and a small plant. The room features white walls, large windows, and French doors that open to a balcony with a view of the ocean and greenery. A built-in bench with cushions is positioned under one window, and a modern wooden floor lamp stands near the sofa. The space is bright with natural light and has a cozy, coastal aesthetic.

Photo by Charles Mayer

Lend a Hand

Artisanal craftsmanship and natural materials lend honesty, character, and comfort, particularly in the living room, where Clodagh Design represented all the elements: water, metal, earth, wood, and fire. To fashion the coffee table, André Joyau inserted a bronze slab between the organic ends of a tree, illustrating the intersection of nature and craft. A wood panel with abstract carvings by Benoît Averly hides the television over the fireplace, a functional and decorative display that reveals itself as one nears. The rug, composed of various antique rugs stitched together by hand, adds an element of craft underfoot. As with the table and panel, you feel the maker’s presence. “It’s made by tender loving hands,” Min reiterates. “There’s comfort from that love.”

Dining room with a large rectangular wooden table surrounded by eight striped upholstered chairs. A modern rectangular chandelier with multiple glass globes hangs above the table. The room features white paneled walls, a brick fireplace with a brass frame on the left, and a long wooden sideboard with a white countertop on the right. Two large abstract paintings hang above the fireplace and sideboard. French doors at the far end open to a balcony with outdoor seating and a view of greenery and water in the distance.

Photo by Charles Mayer

Cultivate Context

Artwork, lighting, and color help establish a sense of place, strengthening the home’s connection to the surrounding landscape. For instance, the abstract forms on the diptych by Marc Lambrechts in the entry are reminiscent of seagulls, and seascapes painted by Provincetown native Anne Packard realistically echo the water views. In the dining room, the Pagani Studio chandelier’s rock crystal slices are shaped like sails, alluding to the husband’s favorite pastime here. In devising the home’s overall color palette, Clodagh Design considered the actual beach. “We reference a jar of local sand during the design process for every beach project,” Min says. “Cape Cod sand has the coolest tones we’ve seen.”

A modern staircase with beige carpet runners and white railings, featuring a small black and white dog lying on the steps. To the left of the stairs is a built-in bench with a brown cushion and a blue pillow, set against white paneled walls. On the right wall, there are two large abstract art pieces in brown, white, and black tones. The floor is light wood, and a blue patterned rug is partially visible at the bottom of the image. In the background, a doorway leads to a bright room with a sofa and striped pillows.

Photo by Charles Mayer

Don’t Scramble, Streamline

Neubauer approached the layout with a light hand, simplifying the plan so the house is easier to live in. As was typical of turn-of-the-century summer cottages, there was a slew of bedrooms—four in the main body and three railroaded in the west wing. Neubauer reduced the number to four, gracing each with an en suite bath. Downstairs, the kitchen, capped by a new mudroom on one end and stairs, fills the west wing, with natural light streaming in along both sides. Most significantly, Neubauer opened up the oceanside screened porch that was suffocated by jalousie glass years before. French doors lead there from the dining room, while French doors in the living room lead to the adjacent terrace. “There is more breathing room and connection to the landscape,” the architect says. “You feel the breeze, catch the sunlight, and hear the waves.”

Architect Neubauer Ennis Architects
Builder E.B. Norris & Son
Interior Designer Clodagh Design
Landscape Architect Bernice Wahler Landscapes

First published in the print edition of Boston Home’s Summer 2026 issue, with the headline “Humble Glory.”

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]]> Our All-New Directory of Greater Boston’s Top Real Estate Producers Is Here https://www.bostonmagazine.com/property/2026/05/26/top-boston-real-estate-producers-directory/ Tue, 26 May 2026 10:00:56 +0000 Whether you’re hunting for your first home, trading up to something bigger, or trying to sell an inherited property, finding the right agent can make […]

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Photo illustration by Benjamen Purvis

Whether you’re hunting for your first home, trading up to something bigger, or trying to sell an inherited property, finding the right agent can make or break the experience. Every year, Boston magazine surveys the region’s real estate community to identify the agents and teams who made the biggest impact—and here are the ones who made the cut for 2026: Greater Boston’s top real estate producers is here.

Some background on the directory. To compile our Top Real Estate Producers list, Boston magazine asked the real estate community representing our readership area (towns within, or partially within, I-495) and the Cape and Islands to fill out an online survey reporting individual agents’ (or teams or groups of agents’) residential sales volume for the 12-month period ending December 31, 2025. In addition, a panel of local industry experts reviewed the submissions for accuracy and inclusivity. Those who met the thresholds for individual agents ($20 million) and teams of two or more ($30 million) are included on the list with their primary office location and phone number. After the list was completed, we sent a copy to our sales staff. They, in turn, offered advertisements to the honorees. Whether or not an agent purchased an ad had no impact on the creation of this list. This list of Top Producers was self-reported and dependent on agent/firm participation; thus, it should not be considered inclusive of all local agents who met the qualification levels. 

Explore the List

Questions about Boston magazine’s Top Real Estate Producers can be sent to topproducers@bostonmagazine.com.

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]]> Five Art and Design Books for Your Summer Reading List https://www.bostonmagazine.com/property/2026/05/22/summer-2026-art-design-books/ Fri, 22 May 2026 11:00:20 +0000 The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell, with a foreword by Charlotte Moss Featuring luminous paintings by artist Snowy Campbell, this long-awaited […]

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]]> Two book covers are shown side by side. The left cover features a watercolor illustration of an open doorway leading to a garden with potted plants, framed by a green border. The title reads "The Enchanting Interiors of Bunny Mellon" with the subtitle "Paintings by Scott Jamieson." The right cover has a vintage-style design with torn paper edges, blue floral patterns, and a large blue ribbon tied in a bow. The title reads "Jenny Sais Quoi" with the subtitle "Adventures in Vintage & Personal Style" by Jenny Walton.

Courtesy photos

The Enchanting Interiors of Bunny Mellon: Paintings by Snowy Campbell, with a foreword by Charlotte Moss

Featuring luminous paintings by artist Snowy Campbell, this long-awaited volume provides an inside look at philanthropist and style icon Bunny Mellon’s flair for design and her homes’ elegant interior spaces. Hired by Mellon in 1970, Campbell documented the Mellons’ residences in New York City; Upperville, Virginia; and Washington, DC, showcasing rooms layered with blue-chip art, fine antiques, and personal treasures arranged with effortless sophistication. With a foreward written by Charlotte Moss, the book, a project originally launched by Mellon and featuring contributions from design luminaries and text from society writer James Reginato, celebrates her singular ability to balance grandeur with comfort. The result is an artistic tribute to exquisite taste, timeless decorating, and a life rich in connoisseurship. $60, Rizzoli.

Jenny Sais Quoi: Adventures in Vintage & Personal Style, by Jenny Walton

In this vivid visual diary, artist, designer, writer, and Vogue vintage shopping columnist Jenny Walton invites readers into her world of color, nostalgia, and unique aesthetics. Mixing collages, essays, illustrations, paintings, and photographs, the author traces her evolution from fashion student to street-style star to international tastemaker, revealing how vintage clothing became a source of confidence, joy, and self-expression for her. Along the way, Walton shares thoughtful advice and stories on everything from how to shop secondhand to designing a personal palette focused on individuality instead of trends. Playful design details, like the eye-catching trompe-l’oeil cover and interactive mix-and-match pages, make this collection a celebration of personal style that’s as creative as the author herself. $54.95, Monacelli.

Three books are displayed: "Summer by the Sea" featuring a coastal scene at sunset, "Schiaparelli: Passion Becomes Art" with a black-and-white bust sculpture on the cover, and "Flowering Outdoors: Gardens & Parties" showing a vibrant outdoor table setting with flowers and sunflowers in the background.

Courtesy photos

Summer by the Sea: Cottages from Watch Hill to Little Compton, by Thomas A. Kligerman, with photographs by Read McKendree

Renowned architect Thomas A. Kligerman turns his lens to Rhode Island’s storied seaside cottages in this vibrant exploration of the shingle style, often called the “architecture of the American summer.” The book begins in Watch Hill and winds along the Atlantic coast, tracing the evolution of these relaxed yet refined homes from 19th-century masters such as Calvert Vaux to modern architects including Peter Bohlin and Gil Schafer. Alongside historic and vernacular cottages, some held by the same families for generations, Kligerman includes his own Weekapaug retreat, designed as an homage to childhood summers. Lush photography captures breezy porches, layered interiors, and landscapes that make up this enduring idyllic setting. $64.95, Monacelli.

Schiaparelli: Fashion Becomes Art, edited by Sonnet Stanfill and Lydia Caston

This richly illustrated volume revisits Elsa Schiaparelli’s life and legacy. The visionary Italian fashion designer, who blurred the line between art and her craft, was celebrated by Cristóbal Balenciaga as the “only real artist in couture.” Infusing her designs with surrealist wit, she collaborated with figures such as Salvador Dalí and Man Ray. From the controversial lobster dress in Wallis Simpson’s trousseau to the daring tennis culottes worn by Lilí Álvarez at Wimbledon, Schiaparelli creations were as provocative as they were wearable and attracted a devoted circle of Hollywood and high-society clients. Today, her bold visual language endures in Daniel Roseberry’s work for Maison Schiaparelli, proving her lasting influence on fashion’s avant-garde. $70, Abrams.

Flowering Outdoors: Gardens & Parties: Inspiring Floral Touches for Outside Spaces and Entertaining, by Margot Shaw, with Lydia Somerville

In this lush guide to al fresco living, author and Flower magazine editor Margot Shaw gathers leading tastemakers to share fresh ways of bringing flowers into exterior spaces. From city balconies and country patios to mountain retreats and seaside terraces, designers including Meg Braff, India Hicks, and Zezé provide ideas for styling these spaces with beautiful blooms housed in metal urns, terra-cotta containers, and other pots. In addition to inspiration for hosting garden parties with finesse, the book includes a practical primer on garden elements such as architectural details, furnishings, and statuary that shape inviting open-air “rooms.” The result is a visual feast and a practical handbook for seamless entertaining. $50, Rizzoli.

First published in the print edition of Boston Home’s Summer 2026 issue, with the headline “By the Book.”

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]]> Real Estate Showdown: A Milton Craftsman vs. a Beacon Hill Condo https://www.bostonmagazine.com/property/2026/05/21/milton-versus-boston/ Thu, 21 May 2026 10:00:22 +0000 LISTING AGENTS: CAHILL+CO. TEAM, WILLIAM RAVEIS (MILTON); REBECCA DAVIS TULMAN AND LESLIE SINGLETON ADAM, GIBSON SOTHEBY’S INTERNATIONAL REALTY (BOSTON) RUDY MAYER, NASHUA VIDEO TOURS (MILTON); […]

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LISTING AGENTS: CAHILL+CO. TEAM, WILLIAM RAVEIS (MILTON); REBECCA DAVIS TULMAN AND LESLIE SINGLETON ADAM, GIBSON SOTHEBY’S INTERNATIONAL REALTY (BOSTON)

RUDY MAYER, NASHUA VIDEO TOURS (MILTON); COURTESY OF TULMAN ADAM PARTNERSHIP, GIBSON SOTHEBY’S INTERNATIONAL REALTY BEACON HILL (BOSTON)

32 Columbine Rd., Milton

 Sale Price: ~$2,000,000

45 Temple St., #405, Boston
$1,175,000
6
3,282 square feet
5
2 full, 1 half		 Asking Price
Days on Market
Size
Bedrooms
Bathrooms		 $2,095,000
205
1,420 square feet
1
2 full

What you get for the same price can look wildly different depending on where you land. And for this month’s contenders, it’s about space in the ’burbs versus service in the city.

In Milton, this recently sold 1929 Craftsman offers a practical layout with room to grow. An inviting kitchen anchors the main level, connecting with living and dining spaces that flow naturally together. Outside, a tree-shrouded backyard just a short stroll to Turner’s Pond adds to the appeal, while a two-car garage and the semifinished basement have endless potential.

Located in the Archer Residences, this luminous Beacon Hill home pairs a clean, modern interior with 24-hour white-glove services that include concierge staff and an impressive fitness center. Bonus points for a primary suite with a sizable walk-in closet and an office that can accommodate a sleeper sofa.

So which home wins this showdown? It seems the current demand leans more toward the suburban lifestyle, as that property received multiple offers in just six days on the market and sold for over asking price—while the city pad took more than six months to go under agreement.

 

This article was first published in the print edition of the May 2026 issue, with the headline,“A Storybook Craftsman vs. an Amenity-Rich City Condo.”

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