Boston Home

What Happens When Two Swedes Design a Nantucket Beach House

When Nordic interior designer Charlotte Save first met the owner of this home, the connection was immediate. Together, they designed an island haven to age beautifully.


Bright living and dining area with large windows, featuring a wooden dining table with woven chairs, a white sectional sofa, two woven armchairs, a wooden side table, a floor lamp with an orange shade, and a cluster of glass pendant lights. The room has white walls, wooden ceiling beams, and a potted plant in the corner.

Rather than leaning into a traditional nautical aesthetic, the interiors of the home celebrate natural light, texture, and thoughtful detailing—a softer, more timeless approach to coastal living. / Photo by Hayley Dayimeless

This article is from the summer 2026 issue of Boston Home. Sign up here to receive a subscription.

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When interior designer Charlotte Save first met the owner of this home, the connection was immediate. Both women are Swedish, both have lived internationally, and both share an instinct for interiors that feel restrained, layered, and quietly confident. The homeowner, a Boston-based professional building a 3,000-square-foot summer retreat on Nantucket, wanted a beach house—but not the obvious kind. No overt coastal clichés. No heavy furniture. And absolutely no marble countertops. Instead, she envisioned a home that felt European in its sensibility: pared back, timeless, and flexible enough to host 40 guests one weekend yet feel intimate on a Tuesday night alone.

Set on the edge of Nantucket’s historic district, the house adheres to the island’s rigorous architectural standards while introducing a refined Scandinavian undercurrent. For Save, who grew up surrounded by centuries-old European buildings, that respect for context felt natural. “We wanted it to feel timeless,” she says, “like it could age beautifully with her.”

A bedroom corner featuring a bed with a blue upholstered headboard and white bedding. The bed has decorative pillows with green palm leaf patterns and solid blue pillows with beige trim. The wall behind the bed is covered in blue and white palm leaf patterned wallpaper. Next to the bed is a wooden nightstand with a drawer, holding a modern black and brass table lamp with a white shade, a small pink flower in a glass vase, and a few books on the lower shelf. The floor is light wood with a blue and white scalloped rug partially visible. A woven rope decorative object sits on the floor near the nightstand.

In one of the lower-level guest rooms, a blue-palm wallcovering by Cole & Son is paired with a Serena & Lily headboard and a scalloped-edge rug that evokes a wave motif, calling to mind the ocean down the road. / Photo by Hayley Day

Bright living room with three brown leather armchairs, each adorned with decorative pillows. A round glass coffee table with a black metal frame sits in the center, holding books and a vase of colorful flowers. A small wooden side table with a candle is next to one armchair. The room features large windows and French doors letting in natural light, white walls, a woven area rug, and a large woven pendant light hanging from the ceiling.

A bar area on the main level is furnished with chairs from the Swedish brand Carl Malmsten, which Save had upholstered in leather. Underfoot is a Serena & Lily rug, while the woven light fixture is from Fern Living, a Danish maker. / Photo by Hayley Day

Light became the guiding principle. Windows wrap nearly every room, so Save chose furnishings elevated on legs—an approach inspired by Austrian designer Josef Frank—to allow the eye to travel uninterrupted from floor to wall. Varnished oak floors laid in a herringbone pattern anchor the main level, setting the stage for furnishings chosen as much for lightness as comfort. In a seating area off the entryway, caramel-toned leather lounge chairs catch and reflect sunlight rather than absorb it. “When you have that much light, you want it to bounce,” Save explains.

At the heart of the open-plan main floor is the kitchen, a space driven as much by performance as aesthetics. The homeowner loves to cook and entertain, and she was unequivocal about one thing: She needed a surface that could withstand a hot pan. Marble was out. In its place, Save specified porcelain for the countertops, backsplash, and perimeter surfaces—durable, resilient, and quietly elegant. The continuity of material keeps the space crisp and uncluttered.

A modern kitchen corner featuring a navy blue and gold-accented stove with multiple knobs and a large cooktop. The backsplash and countertops are made of gray marble with white veining. White cabinetry with gold handles is visible on the left, and a wooden chair with a red cushion is partially visible on the right. The kitchen has gold wall-mounted lamps, a pot filler faucet above the stove, and various kitchen items including a loaf of bread on a wooden cutting board, a bowl of vegetables, and jars on the countertop. The overall design combines elegant materials with warm wood tones.

Brass Visual Comfort sconces flank the clean-lined hood above the striking blue Officine Gullo range. Brass-and-leather cabinet hardware is from Turnstyle. / Photo by Hayley Day

To prevent the kitchen from feeling overly built-in, the island was crafted in oak, designed to read as a piece of furniture rather than millwork. “It softens the room,” Save says. “It makes it feel more lived-in.” Leather-and-brass hardware from Turnstyle adds tactile warmth to the cabinetry, introducing texture that feels refined rather than flashy. An Officine Gullo range anchors the space with understated gravitas, reinforcing the European thread woven throughout the home.

Crucially, Save eliminated upper cabinets. Without them, sightlines remain open, and light circulates freely across the room, enhancing the connection between the kitchen, dining, and living areas. An Italian blown-glass chandelier hangs over the dining table, which has a subtle raw-edge detail selected for the way it balances the warmth of exposed wood beams, preventing the architecture from feeling too strict.

Bedroom with white walls and wooden ceiling beams, featuring a white dresser with gold knobs, a white lamp, and a vase of pink flowers. There is a cozy cream-colored chair and matching ottoman with blue and white striped pillows. The bed has white bedding with blue and patterned pillows, and a light blue bench at the foot. Windows have white Roman shades with navy blue stripes, and a blue and white rug is partially visible on the wooden floor.

The primary suite’s vaulted ceiling is finished with white V-groove boards that intersect with natural wood beams. “It’s a nice detail without overdoing it,” Save says. The made-to-order rug is by British brand Jennifer Manners. / Photo by Hayley Day

While the first and second floors maintain a composed palette of whites and layered blues—raffia wallcoverings by Phillip Jeffries add texture without heaviness—the lower level introduces playfulness. A wallcovering inspired by a de Gournay mural sets the tone in one bedroom, while a lively blue-palm-pattern Cole & Son design sheathes the walls in another.

Island references appear in thoughtful gestures rather than theme. In a powder room off the mudroom, a brass porthole mirror hangs above a sculptural wood sink, while a bespoke nautical-chart wallpaper on the ceiling marks the home’s exact Nantucket location. “She’s a sailor,” Save notes, “so we wanted a nod to that without being overly literal.”

Hallway with sage green walls and two closed doors, featuring a small wall-mounted console table with a vase of white flowers and a green decorative dish. The floor has a geometric pattern with wood and dark tiles. A wooden framed artwork of a sailboat hangs on the right wall. Through an open doorway, a bright pantry or kitchen area is visible with white cabinetry, a black mixer, and a pet feeding station labeled "WOOF BAR" with two gold bowls and a bone-shaped rug. A star-shaped pendant light hangs in the pantry, and a gold star-shaped ceiling light fixture is mounted in the hallway. A tall mirror with a gold frame is partially visible on the right.

The mudroom was designed for durability with a porcelain tile floor intersected with wood for warmth and visual appeal. Walls are painted in Benjamin Moore’s “Summer’s Day.” Visual Comfort star light fixtures nod to nautical styling. / Photo by Hayley Day

A small bathroom corner with deep blue walls and a nautical theme. It features a wooden sink with a brass faucet, a round brass porthole-style mirror, and a clear glass wall sconce with brass accents. A white towel with a sailboat embroidery is draped over the sink, and a small potted orchid sits on the sink countertop. The ceiling is decorated with a nautical map, and a small wooden boat shelf is mounted on the wall. A window with a blue frame lets in natural light.

The powder room exudes a bit of maritime whimsy with the ceiling’s bespoke wallcovering, fashioned from a nautical chart, and the porthole mirror. The spare wood vanity nods to craft and utility, hallmarks of Nantucket’s architectural legacy. / Photo by Hayley Day

Practicality was essential—especially with a Bernedoodle in residence. The mudroom pairs oak millwork with durable porcelain- and slate-look tile designed to handle sand, wet towels, and muddy paws. Star-shaped ceiling fixtures from Visual Comfort add a subtle maritime wink, while the shade of green selected for the walls recalls both sea glass and the gardens surrounding the home.

“It’s an island house,” Save says, “but not on the water.” That nuance defines the project. Rather than lean into overt beach motifs, she created a home rooted in craftsmanship, light, and longevity. The result feels both Scandinavian and Nantucket at once—elegant, welcoming, and built to endure.

Outdoor patio with a wooden pergola overhead, featuring a gray cushioned sofa and armchair with decorative pillows, a wooden coffee table, and a dining area in the background with a large umbrella. There is also a bar counter with wooden stools on the right side, surrounded by greenery and trees.

A fully-equipped outdoor kitchen with a mahogany-clad interior has folding windows that integrate the space with the patio area, allowing the person who is preparing food to be part of the socializing. / Photo by Hayley Day

Builder Cheney Custom Homes
Interior Designer Charlotte Save

First published in the print edition of Boston Home’s Summer 2026 issue, with the headline “The Long View.”